{"id":6548,"date":"2024-03-31T18:13:32","date_gmt":"2024-03-31T17:13:32","guid":{"rendered":"https:\/\/icertpublication.com\/?page_id=6548"},"modified":"2026-04-03T08:32:30","modified_gmt":"2026-04-03T03:02:30","slug":"elegy-as-self-eulogy-a-deconstructive-analysis-of-nana-asmaus-elegy-for-bello","status":"publish","type":"page","link":"https:\/\/icert.org.in\/index.php\/shodh-sari-2\/shodh-sari-vol-3-issue-2\/elegy-as-self-eulogy-a-deconstructive-analysis-of-nana-asmaus-elegy-for-bello\/","title":{"rendered":"Elegy as Self-Eulogy: A Deconstructive Analysis of Nana Asma\u2019u\u2019s \u201cElegy for Bello\u201d"},"content":{"rendered":"\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Shodh Sari-An International Multidisciplinary Journal<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Vol-03, Issue-02 (April - June 2024)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
An International scholarly\/ academic journal, peer-reviewed\/ refereed journal, ISSN : 2959-1376<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Elegy as Self-Eulogy: A Deconstructive Analysis of Nana Asma\u2019u\u2019s \u201cElegy for Bello\u201d<\/span>\u00a0<\/span><\/p>

Harun, Isa Bin\u00a0<\/span><\/p>

Department of European Languages, Kano State College of Education and Preliminary Studies, P.M.B. 3145, Airport Road, Sabon Gari, Kano State, Nigeria<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

DOI: <\/span>https:\/\/doi.org\/10.59231\/SARI7689<\/span><\/a><\/p>

Subject: English Literature \/ Gender Studies<\/span><\/p>

Page No: 77\u201385<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Received: Jan 24, 2024<\/span><\/p>

Accepted: Feb 27, 2024<\/span><\/p>

Published: April 01, 2024<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Thematic Classification: Nana Asma\u2019u, Deconstructive Analysis, Elegy and Eulogy, Islamic Literature, West African Female Writers, Literary Criticism.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Abstract<\/span><\/p>

This paper offers a deconstructive reading of Nana Asma\u2019u\u2019s \u201cElegy for Bello\u201d as the reflection of her own personal life. The virtues she extols for the deceased on the surface meaning of the text turn to be interpreted as self-admiration of her own personal characters and qualities. Derrida\u2019s Deconstructive theory, then, provides other perspectives upon which to interpret the poem. An Elegy in this sense then turns to be read as a Semi-Autobiography; the persona does celebrate her personal values and establish her identity to the reader. People interpret themselves simply through mirroring themselves by eulogizing other people. Whatever one says about others returns to claim their position in them.\u00a0\u00a0\u00a0\u00a0<\/span><\/p>

\u00a0<\/b><\/p>

Keywords:<\/span> Elegy, Eulogy, Dirge.<\/span><\/p>

\u00a0<\/b><\/p>

Impact Statement\u00a0<\/span><\/p>

The impact of this research is to vindicate the literary practice in Northern Nigeria which exists since before the colonials introduce Western Education in the region. The research also establishes the dexterity of Islamicaly educated women, like Nana Asma\u2019u who had her education not from the conventional university, but from her parents and siblings. This research encourages African women to actively participate in literary creative critical endeavour.<\/span><\/p>

The article, <\/span>Elegy as Self-Eulogy: A Deconstructive Analysis of Nana Asma\u2019u\u2019s \u201cElegy for Bello\u201d<\/span> offers an interpretation of the poem as a reflection of the poet\u2019s virtues. The poem is primary a dirge for the death of her brother, Sultan Bello, but this paper provides a different perspective of the work using Derrida\u2019s deconstructive model as the theoretical framework.\u00a0\u00a0\u00a0\u00a0<\/span><\/p>

\u00a0<\/b><\/p>

Author\u2019s Profile<\/span><\/p>

Name: Isa Bin Harun<\/span><\/p>

Qualification: MA English Literature<\/span><\/p>

Institution: Kano State College of Education and Preliminary Studies (KASCEPS), P.M.B. 3145, Airport Road, Kano State, Nigeria<\/span><\/p>

Department: department of English and European Languages<\/span><\/p>

Rank: Lecturer II<\/span><\/p>

\u00a0<\/b><\/p>

Conferences and Seminars:<\/span> \u201cAnalysis of Errors in the Use of Simple Past in the Essays of NCE 1 one Students in Some Selected Colleges of Education in Kano\u201d<\/span>, presented on June 20, 2022at a seminar at Aminuddeed College of Education, Kano State Nigeria; <\/span>\u201cThe Influence of Social Media on the Academic Performance of Literature-in-English Students in Kano State: A Case Study of Federal College of Education, Kano; Kano State College of Education and Preliminary Studies, Kano, and Aminuddeen College of Education, Kano\u201d, <\/span>a<\/span> College Seminar presented on\u00a0 February 9, 2024 at Kano State College of Education and Preliminary Studies (KASCEPS), Kano State, Nigeria;<\/span> \u201cPolitical Egomaniac: A Deconstructive Reading of J. P. Clark\u2019s <\/span>A Reed in the Tide<\/span>\u201d<\/span> a One Day Multidisciplinary International Conference on Contemporary Global Challenges and Opportunities in Education, Languages, Sciences and Humanities held on January 15, 2023 by the Department of English, I.N.M. PG College Meerut and ICERT; <\/span>\u201cElegy as Self-Eulogy: A Deconstructive Analysis of Nana Asma\u2019u\u2019s \u2018Elegy for Bello\u2019\u201d<\/span> at the One Day International Multidisciplinary Conference on \u201cRecent Advances in Science & Engineering, Humanities and Social Sciences towards Sustainability\u201d on UN International Day of Women and Girls in Sciences, February 11, 2024, at MM.D.S.D. College, Ambala City Haryana India, jointly organized with ICERT.\u00a0<\/span><\/p>

Publication: <\/span>\u201cThe Influence of Social Media on the Academic Performance of Literature-in-English Students in Kano State: A Case Study of Federal College of Education, Kano; Kano State College of Education and Preliminary Studies, Kano, and Aminuddeen College of Education, Kano\u201d<\/span> Published on November 14, 2023, in Scholars International Journal of Linguistics and Literature, DOI: 10.36348\/sijil.2023.v06i11.001.<\/span><\/p>

Cite this Article<\/span><\/p>

APA 7th Style:<\/span> Harun, I. B. (2024). Elegy as self-eulogy: A deconstructive analysis of Nana Asma\u2019u\u2019s \u201cElegy for Bello\u201d. <\/span>Shodh Sari-An International Multidisciplinary Journal<\/span>, <\/span>3<\/span>(02), 77\u201385. <\/span>https:\/\/doi.org\/10.59231\/SARI7689<\/span><\/a><\/p>

Chicago 17th Style:<\/span> Harun, Isa Bin. “Elegy as Self-Eulogy: A Deconstructive Analysis of Nana Asma\u2019u\u2019s ‘Elegy for Bello’.” <\/span>Shodh Sari-An International Multidisciplinary Journal<\/span> 3, no. 2 (2024): 77\u201385. <\/span>https:\/\/doi.org\/10.59231\/SARI7689<\/span><\/a>.<\/span><\/p>

MLA 9th Style:<\/span> Harun, Isa Bin. “Elegy as Self-Eulogy: A Deconstructive Analysis of Nana Asma\u2019u\u2019s ‘Elegy for Bello’.” <\/span>Shodh Sari-An International Multidisciplinary Journal<\/span>, vol. 3, no. 2, 2024, pp. 77-85, <\/span>https:\/\/doi.org\/10.59231\/SARI7689<\/span><\/a>.<\/span><\/p>

Statements & Declarations<\/span><\/p>

Review Method:<\/span> This article underwent a double-blind peer-review process by independent experts in Comparative Literature and African Studies to evaluate the application of Derridean deconstruction to 19th-century Sokoto Caliphate poetry.<\/span><\/p>

Competing Interests:<\/span> The author Isa Bin Harun declares that there are no financial, personal, or professional conflicts of interest that could have inappropriately influenced the literary analysis or the research findings presented in this manuscript.<\/span><\/p>

Funding:<\/span> This research was conducted through the academic support of the Department of European Languages, Kano State College of Education and Preliminary Studies, Nigeria. No specific external grants were received for this study.<\/span><\/p>

Data Availability:<\/span> The analysis is based on the primary text “Elegy for Bello” by Nana Asma\u2019u and established literary theory frameworks. All referenced poetic excerpts and theoretical sources are cited within the manuscript.<\/span><\/p>

License:<\/span> Elegy as Self-Eulogy: A Deconstructive Analysis of Nana Asma\u2019u\u2019s \u201cElegy for Bello\u201d<\/span> \u00a9 2024 by Isa Bin Harun is licensed under <\/span>CC BY-NC-ND 4.0<\/span>. This work is published by the International Council for Education Research and Training (ICERT).<\/span><\/p>

Ethics Approval:<\/span> As this study is a literary and theoretical analysis of historical poetry and does not involve human or animal subjects, it was deemed exempt from formal ethical review while adhering to all standards of academic integrity.<\/span><\/p>

\u00a0<\/b><\/p>

References<\/span><\/p>

  1. Abdullahi, R. M. (2012). Literary form, autobiography, and creative nonfiction: Self-fashioning in Friedrich Nietzsche\u2019s Ecce Homo. <\/span>KAJOLLS<\/span> Vol. 1No, <\/span>1<\/span>, 71\u201388.<\/span><\/p><\/li>

  2. Abrams, M. H., & Herpham, G. G. (2009). <\/span>A glossary of literary terms<\/span> (9th ed.). Wadworth Cengage Learnig: London.<\/span><\/p><\/li>

  3. Bello-Kano, I. (2012). The return of the repressed: The humanist problematic in tree pre-structuralist literary theories. <\/span>KAJOLLS<\/span>, <\/span>1<\/span>(1).<\/span><\/p><\/li>

  4. Boyd, J., & Mark, B. B. (1999). The collected works of Nana Asma\u2019u, <\/span>Daughter of Usman dan Fodiyo<\/span> (1793\u20131864). Sam Bookman.<\/span><\/p><\/li>

  5. Childs, P., & Fowler, R. (2006). <\/span>The Routledge dictionary of literary terms. Routledge: USA and Canada<\/span>.<\/span><\/p><\/li>

  6. Jega, A. M., Bello-Kano, I., & Saeed, A. G. (2003). The public poet: A biography of Mudi Sipikin. <\/span>CDRT, Mambayya house<\/span>. BUK.<\/span><\/p><\/li>

  7. Tsiga, I. A. (2016). Traversing the world of literature, history and identity: Life writing in Northern Nigeria. In Tsiga & Bhadmus (Eds.), <\/span>Literature, history and identity in Northern Nigeria<\/span>.<\/span><\/p><\/li><\/ol>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

    \n\t\t\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t\t\t\t\t
    \n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tBack<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

    Shodh Sari-An International Multidisciplinary Journal Vol-03, Issue-02 (April – June 2024) An International scholarly\/ academic journal, peer-reviewed\/ refereed journal, ISSN : 2959-1376 Elegy as Self-Eulogy: A Deconstructive Analysis of Nana Asma\u2019u\u2019s \u201cElegy for Bello\u201d\u00a0 Harun, Isa Bin\u00a0 Department of European Languages, Kano State College of Education and Preliminary Studies, P.M.B. 3145, Airport Road, Sabon Gari, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":6457,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"postBodyCss":"","postBodyMargin":[],"postBodyPadding":[],"postBodyBackground":{"backgroundType":"classic","gradient":""},"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-6548","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/icert.org.in\/index.php\/wp-json\/wp\/v2\/pages\/6548","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/icert.org.in\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/icert.org.in\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/icert.org.in\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/icert.org.in\/index.php\/wp-json\/wp\/v2\/comments?post=6548"}],"version-history":[{"count":12,"href":"https:\/\/icert.org.in\/index.php\/wp-json\/wp\/v2\/pages\/6548\/revisions"}],"predecessor-version":[{"id":31370,"href":"https:\/\/icert.org.in\/index.php\/wp-json\/wp\/v2\/pages\/6548\/revisions\/31370"}],"up":[{"embeddable":true,"href":"https:\/\/icert.org.in\/index.php\/wp-json\/wp\/v2\/pages\/6457"}],"wp:attachment":[{"href":"https:\/\/icert.org.in\/index.php\/wp-json\/wp\/v2\/media?parent=6548"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}