{"id":34465,"date":"2026-05-22T03:51:15","date_gmt":"2026-05-21T22:21:15","guid":{"rendered":"https:\/\/icert.org.in\/?p=34465"},"modified":"2026-05-23T23:43:58","modified_gmt":"2026-05-23T18:13:58","slug":"diaspora-and-dislocation-the-search-for-belonging-in-jhumpa-lahiris-interpreter-of-maladies","status":"publish","type":"post","link":"https:\/\/icert.org.in\/index.php\/2026\/05\/22\/diaspora-and-dislocation-the-search-for-belonging-in-jhumpa-lahiris-interpreter-of-maladies\/","title":{"rendered":"Diaspora and Dislocation: The Search for Belonging in Jhumpa Lahiri\u2019s Interpreter of Maladies"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"34465\" class=\"elementor elementor-34465\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-820f85f elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"820f85f\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-e8e1870\" data-id=\"e8e1870\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a3406de elementor-widget elementor-widget-heading\" data-id=\"a3406de\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Edumania-An International Multidisciplinary Journal<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-dcd53d3 elementor-widget elementor-widget-heading\" data-id=\"dcd53d3\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Vol-04, Issue-2 (Apr-Jun 2026)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d32ebcb elementor-widget elementor-widget-heading\" data-id=\"d32ebcb\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h5 class=\"elementor-heading-title elementor-size-default\">An International scholarly\/ academic journal, peer-reviewed\/ refereed journal, ISSN : 2960-0006<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-99ce084 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"99ce084\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-ebc3422\" data-id=\"ebc3422\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-350b602 elementor-widget elementor-widget-heading\" data-id=\"350b602\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">Diaspora and Dislocation: The Search for Belonging in Jhumpa Lahiri\u2019s Interpreter of Maladies<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1682932 elementor-widget elementor-widget-text-editor\" data-id=\"1682932\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: center; margin-top: 0pt; margin-bottom: 0pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Sargar, Shivaji D.\u00a0<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: center; margin-top: 0pt; margin-bottom: 0pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Director, CDOE, University of Mumbai<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: center; margin-top: 0pt; margin-bottom: 0pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Kuchekar, Geeta\u00a0<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: center; margin-top: 0pt; margin-bottom: 0pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">A PhD Research Scholar, Dept. of English, University of Mumbai<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: center; margin-top: 0pt; margin-bottom: 0pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">ORCiD:<\/span><a style=\"background-color: #ffffff; font-size: 1rem;\" href=\"https:\/\/orcid.org\/0009-0000-9159-0939\" target=\"_blank\" rel=\"noopener\">0009-0000-9159-0939<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-cab46c4 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"cab46c4\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-e62fe53\" data-id=\"e62fe53\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-cd34fd1 elementor-widget__width-inherit elementor-widget elementor-widget-elementskit-simple-tab\" data-id=\"cd34fd1\" data-element_type=\"widget\" data-widget_type=\"elementskit-simple-tab.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"ekit-wid-con\" >        <div class=\"elementkit-tab-wraper vertical  elementskit-fitcontent-tab \">\n            <ul class=\"nav nav-tabs elementkit-tab-nav \">\n                                    <li class=\"elementkit-nav-item elementor-repeater-item-ca158ed\">\n                        <a class=\"elementkit-nav-link  active show left-pos\" id=\"content-ca158ed6a13bba2ba10d-tab\" data-ekit-handler-id=\"abstract\" data-ekit-toggle=\"tab\" data-target=\"#content-ca158ed6a13bba2ba10d\" href=\"#Content-ca158ed6a13bba2ba10d\"\n                            data-ekit-toggle-trigger=\"click\"\n                            aria-describedby=\"Content-ca158ed6a13bba2ba10d\">\n                            <span class=\"elementskit-tab-icon\"><i class=\"far fa-file-alt\"><\/i><\/span>                            <span class=\"elementskit-tab-title\">Abstract<\/span>\n                        <\/a>\n                    <\/li>\n                                        <li class=\"elementkit-nav-item elementor-repeater-item-62e3348\">\n                        <a class=\"elementkit-nav-link  left-pos\" id=\"content-62e33486a13bba2ba10d-tab\" data-ekit-handler-id=\"about-author\" data-ekit-toggle=\"tab\" data-target=\"#content-62e33486a13bba2ba10d\" href=\"#Content-62e33486a13bba2ba10d\"\n                            data-ekit-toggle-trigger=\"click\"\n                            aria-describedby=\"Content-62e33486a13bba2ba10d\">\n                            <span class=\"elementskit-tab-icon\"><i class=\"far fa-user\"><\/i><\/span>                            <span class=\"elementskit-tab-title\">About Author<\/span>\n                        <\/a>\n                    <\/li>\n                                        <li class=\"elementkit-nav-item elementor-repeater-item-e351830\">\n                        <a class=\"elementkit-nav-link  left-pos\" id=\"content-e3518306a13bba2ba10d-tab\" data-ekit-handler-id=\"impact-statement\" data-ekit-toggle=\"tab\" data-target=\"#content-e3518306a13bba2ba10d\" href=\"#Content-e3518306a13bba2ba10d\"\n                            data-ekit-toggle-trigger=\"click\"\n                            aria-describedby=\"Content-e3518306a13bba2ba10d\">\n                            <span class=\"elementskit-tab-icon\"><i class=\"fas fa-file-import\"><\/i><\/span>                            <span class=\"elementskit-tab-title\">Impact Statement<\/span>\n                        <\/a>\n                    <\/li>\n                                        <li class=\"elementkit-nav-item elementor-repeater-item-bb8dae5\">\n                        <a class=\"elementkit-nav-link  left-pos\" id=\"content-bb8dae56a13bba2ba10d-tab\" data-ekit-handler-id=\"cite-this-article\" data-ekit-toggle=\"tab\" data-target=\"#content-bb8dae56a13bba2ba10d\" href=\"#Content-bb8dae56a13bba2ba10d\"\n                            data-ekit-toggle-trigger=\"click\"\n                            aria-describedby=\"Content-bb8dae56a13bba2ba10d\">\n                            <span class=\"elementskit-tab-icon\"><i class=\"far fa-address-card\"><\/i><\/span>                            <span class=\"elementskit-tab-title\">Cite this Article<\/span>\n                        <\/a>\n                    <\/li>\n                                <\/ul>\n\n            <div class=\"tab-content elementkit-tab-content\">\n                                    <div class=\"tab-pane elementkit-tab-pane elementor-repeater-item-ca158ed  active show\" id=\"content-ca158ed6a13bba2ba10d\" role=\"tabpanel\"\n                         aria-labelledby=\"content-ca158ed6a13bba2ba10d-tab\">\n                        <div class=\"animated fadeIn\">\n                            <p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: center; margin-top: 0pt; margin-bottom: 0pt;\"><span style=\"font-size: 12pt; font-family: 'Times New Roman',serif; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Abstract\u00a0<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: justify; margin-top: 0pt; margin-bottom: 0pt;\"><span style=\"font-size: 12pt; font-family: 'Times New Roman',serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Jhumpa Lahiri\u2019s <\/span><span style=\"font-size: 12pt; font-family: 'Times New Roman',serif; color: #000000; background-color: transparent; font-weight: 400; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Interpreter of Maladies<\/span><span style=\"font-size: 12pt; font-family: 'Times New Roman',serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"> (1999) captures the nuanced experiences of Indian immigrants and their descendants as they navigate the complexities of cultural displacement and identity. This paper explores the themes of diaspora and dislocation in Lahiri\u2019s stories, examining how characters grapple with a fractured sense of belonging as they oscillate between their Indian heritage and American surroundings. Through close textual analysis, the study investigates how migration disrupts traditional notions of home, family, and self, leading to emotional alienation and cultural hybridity\u2014stories such as \u2018Mrs. Sen\u2019s \u2018The Third and Final Continent\u2019 and the titular <\/span><span style=\"font-size: 12pt; font-family: 'Times New Roman',serif; color: #000000; background-color: transparent; font-weight: 400; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Interpreter of Maladies<\/span><span style=\"font-size: 12pt; font-family: 'Times New Roman',serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"> reveal characters caught between nostalgia for the homeland and the pressures of assimilation. Lahiri\u2019s subtle yet poignant storytelling underscores the psychological toll of displacement, where even seemingly successful immigrants struggle with unspoken loneliness and miscommunication. The paper also considers how generational differences shape diasporic identity, with first-generation immigrants clinging to tradition while their American-born children negotiate dual cultural affiliations. Employing postcolonial and diaspora theory, this research highlights the liminal spaces Lahiri\u2019s characters inhabit, neither fully Indian nor entirely American and the resulting search for belonging. The study argues that <\/span><span style=\"font-size: 12pt; font-family: 'Times New Roman',serif; color: #000000; background-color: transparent; font-weight: 400; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Interpreter of Maladies<\/span><span style=\"font-size: 12pt; font-family: 'Times New Roman',serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"> presents diaspora not merely as a physical relocation but as an ongoing emotional and cultural negotiation, where the ache of dislocation persists even in moments of apparent integration.<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: justify; margin-top: 0pt; margin-bottom: 0pt;\"><span style=\"font-size: 12pt; font-family: 'Times New Roman',serif; color: #000000; background-color: transparent; font-weight: 400; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Keywords:<\/span><span style=\"font-size: 12pt; font-family: 'Times New Roman',serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"> Diaspora, Dislocation, Belonging, Cultural Hybridity, Immigrant Identity<\/span><\/p>                        <\/div>\n                    <\/div>\n                                    <div class=\"tab-pane elementkit-tab-pane elementor-repeater-item-62e3348 \" id=\"content-62e33486a13bba2ba10d\" role=\"tabpanel\"\n                         aria-labelledby=\"content-62e33486a13bba2ba10d-tab\">\n                        <div class=\"animated fadeIn\">\n                            <p dir=\"ltr\" style=\"line-height: 1.8; margin-top: 0pt; margin-bottom: 8pt; text-align: center;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">About the Authors<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: justify; margin-top: 0pt; margin-bottom: 8pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Dr. Shivaji D. Sargar is currently serving as the Director of the Centre for Distance and Online Education (CDOE) at the University of Mumbai. With extensive experience in higher education, institutional management, and postgraduate instruction, his academic interests encompass British literature, translation studies, and Indian writing in English. He has guided several research projects and continues to advocate for inclusive digital learning platforms.<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: justify; margin-top: 0pt; margin-bottom: 0pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Geeta Kuchekar is a PhD Research Scholar in the Department of English at the University of Mumbai. She is pursuing her doctorate in Diaspora Studies, an area that critically examines the experiences of displacement, identity, memory, and cultural belonging among migrant communities. Her research focuses on how diasporic narratives\u2014particularly those emerging from South Asian contexts\u2014negotiate questions of home, hybridity, and transnational identity. With a strong foundation in literary and postcolonial theory, Geeta aims to bring fresh perspectives to the evolving discourse on migration and belonging. She actively participates in national and international conferences, seminars, and workshops, and is committed to fostering interdisciplinary dialogue between diaspora studies, gender studies, and contemporary literary theory. Beyond her research, Geeta is passionate about teaching and mentoring students in English literature. Her academic journey reflects a deep commitment to understanding how literature captures the emotional and psychological realities of living between cultures. Geeta aspires to contribute meaningful scholarship that bridges lived experience with theoretical inquiry.<\/span><\/p>                        <\/div>\n                    <\/div>\n                                    <div class=\"tab-pane elementkit-tab-pane elementor-repeater-item-e351830 \" id=\"content-e3518306a13bba2ba10d\" role=\"tabpanel\"\n                         aria-labelledby=\"content-e3518306a13bba2ba10d-tab\">\n                        <div class=\"animated fadeIn\">\n                            <p dir=\"ltr\" style=\"line-height: 1.8; margin-top: 0pt; margin-bottom: 8pt; text-align: center;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Impact Statement<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: justify; margin-top: 0pt; margin-bottom: 0pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">This research advances the understanding of diaspora as an ongoing emotional and cultural negotiation rather than a mere physical relocation. By closely analysing stories such as &#8220;Mrs. Sen&#8217;s&#8221; and &#8220;The Third and Final Continent&#8221; from Jhumpa Lahiri&#8217;s\u00a0<\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Interpreter of Maladies<\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">, the study illuminates how first-generation immigrants grapple with fractured belonging, cultural memory, and the psychological toll of dislocation. Applying postcolonial frameworks, including Homi Bhabha&#8217;s concept of the &#8220;third space,&#8221; the research reveals how Lahiri&#8217;s characters inhabit liminal identities\u2014neither fully Indian nor entirely American. The findings contribute to diaspora studies, immigrant literature, and postcolonial theory by centring everyday acts of cultural preservation and adaptation. Moreover, the research has broader relevance for understanding generational differences in immigrant families, the myth of linear assimilation, and the universal human need for connection amid displacement. It offers scholars, educators, and mental health professionals working with immigrant communities a nuanced literary model for comprehending the quiet loneliness and resilience that shape the search for belonging in transnational contexts.<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: justify; margin-top: 0pt; margin-bottom: 8pt;\">\u00a0<\/p>                        <\/div>\n                    <\/div>\n                                    <div class=\"tab-pane elementkit-tab-pane elementor-repeater-item-bb8dae5 \" id=\"content-bb8dae56a13bba2ba10d\" role=\"tabpanel\"\n                         aria-labelledby=\"content-bb8dae56a13bba2ba10d-tab\">\n                        <div class=\"animated fadeIn\">\n                            <p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: justify; margin-top: 0pt; margin-bottom: 8pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Cite This Article<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: justify; margin-top: 0pt; margin-bottom: 8pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">APA Style (7th Edition): Sargar, S. D., &amp; Kuchekar, G. (2026). Diaspora and dislocation: The search for belonging in Jhumpa Lahiri\u2019s Interpreter of Maladies. <\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Edumania-An International Multidisciplinary Journal, 4<\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">(2), 396\u2013403. <\/span><a style=\"text-decoration: none;\" href=\"https:\/\/doi.org\/10.59231\/edumania\/9218\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #0563c1; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: underline; -webkit-text-decoration-skip: none; text-decoration-skip-ink: none; vertical-align: baseline; white-space: pre-wrap;\">https:\/\/doi.org\/10.59231\/edumania\/9218<\/span><\/a><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: justify; margin-top: 0pt; margin-bottom: 8pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Chicago Style (17th Edition): Sargar, Shivaji D., and Geeta Kuchekar. &#8220;Diaspora and Dislocation: The Search for Belonging in Jhumpa Lahiri\u2019s Interpreter of Maladies.&#8221; <\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Edumania-An International Multidisciplinary Journal<\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"> 4, no. 2 (2026): 396\u2013403. <\/span><a style=\"text-decoration: none;\" href=\"https:\/\/doi.org\/10.59231\/edumania\/9218\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #0563c1; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: underline; -webkit-text-decoration-skip: none; text-decoration-skip-ink: none; vertical-align: baseline; white-space: pre-wrap;\">https:\/\/doi.org\/10.59231\/edumania\/9218<\/span><\/a><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">.<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: justify; margin-top: 0pt; margin-bottom: 8pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">MLA Style (9th Edition): Sargar, Shivaji D., and Geeta Kuchekar. &#8220;Diaspora and Dislocation: The Search for Belonging in Jhumpa Lahiri\u2019s Interpreter of Maladies.&#8221; <\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Edumania-An International Multidisciplinary Journal<\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">, vol. 4, no. 2, 2026, pp. 396\u2013403, <\/span><a style=\"text-decoration: none;\" href=\"https:\/\/doi.org\/10.59231\/edumania\/9218\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #0563c1; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: underline; -webkit-text-decoration-skip: none; text-decoration-skip-ink: none; vertical-align: baseline; white-space: pre-wrap;\">https:\/\/doi.org\/10.59231\/edumania\/9218<\/span><\/a><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">.<\/span><\/p>                        <\/div>\n                    <\/div>\n                                \n            <\/div>\n 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elementor-widget-shortcode\" data-id=\"445aa98\" data-element_type=\"widget\" data-widget_type=\"shortcode.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-shortcode\"><div class=\"sdm_download_count\"><span class=\"sdm_count_number\">17<\/span><span class=\"sdm_count_string\"> Downloads<\/span><\/div><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-3452736 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"3452736\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-a774f79\" data-id=\"a774f79\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-12cc632 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"12cc632\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-dd061b5\" data-id=\"dd061b5\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c59febf elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"c59febf\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p dir=\"ltr\" style=\"line-height: 1.2; text-align: justify; margin-top: 0pt; margin-bottom: 8pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Page Range: 396\u2013403<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.2; text-align: justify; margin-top: 0pt; margin-bottom: 8pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">DOI: <\/span><a style=\"text-decoration: none;\" href=\"https:\/\/doi.org\/10.59231\/edumania\/9218\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #0563c1; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: underline; -webkit-text-decoration-skip: none; text-decoration-skip-ink: none; vertical-align: baseline; white-space: pre-wrap;\">https:\/\/doi.org\/10.59231\/edumania\/9218<\/span><\/a><\/p><p dir=\"ltr\" style=\"line-height: 1.2; text-align: justify; margin-top: 0pt; margin-bottom: 8pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Subject: Literary Studies \/ Postcolonial Literature \/ English Diaspora Literature<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-4eec5b3\" data-id=\"4eec5b3\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-705f7eb elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"705f7eb\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p dir=\"ltr\" style=\"line-height: 1.2; text-align: justify; margin-top: 0pt; margin-bottom: 8pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Received: May 25, 2025<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.2; text-align: justify; margin-top: 0pt; margin-bottom: 8pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Accepted: November 30, 2025<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.2; text-align: justify; margin-top: 0pt; margin-bottom: 8pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Published: May 12, 2026<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-60e5258 elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"60e5258\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p dir=\"ltr\" style=\"line-height: 1.2; text-align: justify; margin-top: 0pt; margin-bottom: 8pt;\"><span id=\"docs-internal-guid-fc9d3349-7fff-1963-dd8a-99576d6493a4\"><span style=\"font-size: 12pt; font-family: Arial, sans-serif; color: #000000; background-color: transparent; font-variant: normal; vertical-align: baseline; white-space: pre-wrap;\">Thematic Classification: Cultural Dislocation, Diasporic Identity, Indian-American Experience, Hybridity and Marginality, Psycho-Social Alienation<\/span><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-8e36834 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"8e36834\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-380d1ae\" data-id=\"380d1ae\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-0502dea elementor-widget elementor-widget-heading\" data-id=\"0502dea\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h6 class=\"elementor-heading-title elementor-size-default\">Introduction<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-21dc935 elementor-widget elementor-widget-text-editor\" data-id=\"21dc935\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-indent: 36pt; text-align: justify; margin-top: 0pt; margin-bottom: 0pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Jhumpa Lahiri\u2019s Interpreter of Maladies (1999) poignantly captures the immigrant experience through the lens of cultural displacement and the longing for home. In &#8220;Mrs. Sen\u2019s,&#8221; the titular character, an Indian woman living in America, embodies the struggles of diaspora\u2014caught between her nostalgia for Calcutta and her uneasy adaptation to a foreign land. Through her interactions with Eliot, the young boy she babysits, Lahiri explores themes of isolation, cultural preservation, and the disorienting effects of migration. Jaskaran Singh and Dr. Kavita Rani&#8217;s article provides a compelling analysis of Jhumpa Lahiri&#8217;s diaspora fiction, effectively highlighting themes of identity, displacement, and generational conflict. While comprehensive in scope, incorporating narrative techniques or comparative perspectives could enhance its depth. Nonetheless, it offers valuable insights into Lahiri&#8217;s exploration of immigrant experiences.<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-indent: 36pt; text-align: justify; margin-top: 0pt; margin-bottom: 0pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Mrs. Sen\u2019s life in America is marked by dislocation\u2014she clings to rituals like chopping vegetables with a traditional blade, wearing vermilion in her hair, and seeking fish that reminds her of home. These acts become symbols of resistance against assimilation, yet they also highlight her inability to fully belong in either India or America. Her failed attempts at driving\u2014a metaphor for independence and mobility in her new country\u2014underscore her fear of navigating an alien world. Meanwhile, Eliot, though American, mirrors her sense of detachment, living in a silent beach house with an emotionally distant mother. Their bond reveals the universal human need for connection amid displacement. The story critiques the myth of immigrant success, exposing the loneliness beneath the surface. Mrs. Sen\u2019s breakdown after her grandfather\u2019s death\u2014her refusal to drive, her weeping over saris she never wears\u2014culminates in a car accident that symbolizes her fractured identity. Ultimately, Lahiri suggests that diaspora is not just a physical relocation but an ongoing emotional negotiation, where belonging remains elusive. Jhumpa Lahiri\u2019s &#8220;Mrs. Sen\u2019s&#8221; poignantly explores the immigrant experience through the lens of cultural memory and dislocation. Mrs. Sen, an Indian woman living in America, is deeply steeped in nostalgia, clinging to rituals that connect her to her homeland. Her meticulous chopping of vegetables with a traditional blade\u2014a practice she describes as central to Indian weddings\u2014becomes a sacred act of cultural preservation. This blade, transported from India, serves as more than just a kitchen tool; it is a tangible link to her past. Her vivid recollections of communal cooking sessions, where women would gather to slice &#8220;fifty kilos of vegetables through the night,&#8221; starkly contrast with the silence of her American apartment, highlighting her profound isolation. A key moment occurs when she asks Eliot, &#8220;If I began to scream right now, would someone come?&#8221; This question underscores her alienation\u2014while in India, her voice would have summoned an entire neighborhood, in America, she feels invisible and unheard.<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-indent: 36pt; text-align: justify; margin-top: 0pt; margin-bottom: 0pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Driving emerges as the story\u2019s central metaphor for assimilation, reflecting Mrs. Sen\u2019s struggle to adapt to her new environment. Her terror of merging into traffic mirrors her broader fear of navigating American life. Her husband\u2019s insistence that she learn to drive, assuring her that &#8220;everything will improve,&#8221; encapsulates the pressure immigrants face to conform. However, her eventual refusal\u2014&#8221;I hate it. I won\u2019t go on&#8221;\u2014signals her resignation and inability to fully integrate. The car accident she experiences is not just a physical mishap but a symbolic manifestation of her cultural collision. The policeman\u2019s demand for a license she doesn\u2019t possess further underscores her sense of illegitimacy in this new world, reinforcing her status as an outsider.<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-indent: 36pt; text-align: justify; margin-top: 0pt; margin-bottom: 0pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">The illusion of home is another critical theme in the story. Mrs. Sen\u2019s apartment, with its plastic-covered lamps and carefully stored saris, resembles a museum of her unfulfilled life. These saris, unworn and preserved like relics, symbolize a performative identity she can no longer access. Her lament\u2014&#8221;They think I live in a palace&#8221;\u2014critiques the idealized image of immigrant success perpetuated by those back in India, who remain unaware of her loneliness and struggle. This illusion is further emphasized through the contrast with Eliot\u2019s mother, whose practical, Western attire (&#8220;cuffed beige shorts&#8221;) represents American pragmatism, alienating Mrs. Sen even more as her vibrant saris mark her as an outsider.<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-indent: 36pt; text-align: justify; margin-top: 0pt; margin-bottom: 0pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Despite their differences, Eliot and Mrs. Sen share a bond rooted in dislocation. Though American, Eliot experiences his own form of loneliness, with a mother who is emotionally absent\u2014pouring wine after work and retreating to smoke cigarettes, leaving him to fend for himself. This mirrors Mrs. Sen\u2019s yearning for connection, revealing dislocation as a universal condition. The irony lies in Mrs. Sen\u2019s pity for Eliot\u2019s separation from his mother, unaware that his home life is just as fractured as her own.<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-indent: 36pt; text-align: justify; margin-top: 0pt; margin-bottom: 0pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Homi Bhabha\u2019s concept of the &#8220;third space&#8221; is particularly relevant to Mrs. Sen\u2019s experience. She exists in a liminal state, neither fully Indian nor American, unable to reconcile her past with her present. Her eventual surrender\u2014taking the bus instead of driving, eating clam cakes instead of traditional Indian meals\u2014signifies a painful compromise rather than acceptance. Lahiri\u2019s story resists tidy resolutions, as seen in the bus ride where Mrs. Sen is chastised for the smell of her fish, a moment that captures the immigrant\u2019s perpetual otherness.<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-indent: 36pt; text-align: justify; margin-top: 0pt; margin-bottom: 0pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">In its quiet devastation, &#8220;Mrs. Sen\u2019s&#8221; serves as a haunting exploration of diaspora\u2019s emotional toll. Lahiri reveals that belonging is not a destination but an unresolved journey, where home remains a distant memory and dislocation is the only constant. The story\u2019s power lies in its portrayal of Mrs. Sen\u2019s unsaid grief\u2014a woman who, like the vegetables she chops, is reduced to fragments in a world that cannot accommodate her whole self. Through her, Lahiri illuminates the universal struggle of navigating identity in an unfamiliar land.<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; margin-left: 36pt; text-align: justify; margin-top: 0pt; margin-bottom: 0pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">\u201cBy then Eliot understood that when Mrs. Sen said home, she meant India, not the apartment where she sat chopping vegetables. He thought of his own home, just five miles away, and the young married couple who waved from time to time as they jogged at sunset along the shore.&#8221; (Lahiri, 125)<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-indent: 36pt; text-align: justify; margin-top: 0pt; margin-bottom: 0pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">This evocative moment in &#8220;Mrs. Sen&#8217;s&#8221; powerfully encapsulates the story&#8217;s central themes of diaspora and dislocation through its layered understanding of &#8220;home.&#8221; When Mrs. Sen refers to home, she unmistakably means India &#8211; not her current American apartment where she mechanically performs cultural rituals like vegetable chopping to maintain some connection to her roots. This distinction reveals the profound displacement experienced by immigrants, for whom home becomes an imagined space of cultural memory rather than physical reality. Eliot&#8217;s simultaneous reflection about his own home &#8211; physically close yet emotionally distant &#8211; creates a poignant parallel, suggesting dislocation manifests differently but universally. The young married couple&#8217;s casual waves from their sunset jogs symbolize the superficial connections available in their new environment, where proximity doesn&#8217;t guarantee belonging. Lahiri masterfully contrasts these two experiences of alienation: Mrs. Sen&#8217;s stems from geographical and cultural separation from India, while Eliot&#8217;s emerges from emotional distance within his own community. Together, they illustrate how the immigrant condition amplifies but doesn&#8217;t uniquely possess this sense of dislocation. The waving neighbors become emblematic of the partial acceptance immigrants often encounter &#8211; acknowledged but not fully integrated, seen but not truly understood. This moment crystallizes the story&#8217;s exploration of how &#8220;home&#8221; transforms for those caught between worlds, becoming either an inaccessible memory or an unfulfilled present reality, with characters left to navigate this liminal space where complete belonging remains perpetually out of reach.<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-indent: 36pt; text-align: justify; margin-top: 0pt; margin-bottom: 0pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Dr. J. Madhavi&#8217;s article provides a perceptive analysis of cultural duality in Interpreter of Maladies, effectively exploring Lahiri&#8217;s portrayal of immigrant identity struggles. While the thematic examination is thorough, incorporating comparative literary perspectives could strengthen its scholarly impact. Nevertheless, it offers valuable insights into Lahiri&#8217;s nuanced depiction of belonging in diasporic literature.<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-indent: 36pt; text-align: justify; margin-top: 0pt; margin-bottom: 0pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Jhumpa Lahiri\u2019s \u201cThe Third and Final Continent\u201d poignantly captures the immigrant experience through themes of diaspora and dislocation, tracing the narrator\u2019s journey from India to England and finally to America. His initial sense of displacement is palpable in his solitary routines\u2014eating cornflakes and milk, boiling water for tea in a thermos, and meticulously budgeting his expenses\u2014small acts that underscore his foreignness and his attempts to impose order on an unfamiliar world. The noisy, impersonal environment of the YMCA in Cambridge amplifies his isolation, a stark contrast to the communal life he knew in Calcutta and even in London among fellow Bengali bachelors. His eventual move to Mrs. Croft\u2019s house introduces an unexpected anchor in his life. Though eccentric and imperious, Mrs. Croft, at 103 years old, becomes a figure of stability, her rigid rituals\u2014like declaring the moon landing &#8220;splendid&#8221;\u2014mirroring his own need for structure in a world where he feels untethered. Their relationship, though transactional, is one of mutual recognition, bridging generational and cultural divides as two outsiders navigating their own forms of loneliness.<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-indent: 36pt; text-align: justify; margin-top: 0pt; margin-bottom: 0pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">The narrator\u2019s arranged marriage to Mala further complicates his dislocation. Their initial interactions are marked by awkwardness and emotional distance, reflecting the broader immigrant struggle to reconcile tradition with the demands of a new life. Mala\u2019s tears for her family and her rigid adherence to bridal customs\u2014covering her head with her sari, wearing vermilion\u2014highlight her own displacement, while the narrator\u2019s detachment underscores his reluctance to fully embrace his role as a husband. Yet, their relationship evolves through shared vulnerability, particularly in the pivotal moment in Mrs. Croft\u2019s parlor when Mala\u2019s laughter breaks the tension, forging a genuine connection. This moment symbolizes the possibility of belonging not through forced assimilation, but through mutual understanding and patience. Their eventual life together\u2014exploring Boston, building a home, raising a son\u2014reflects the slow, often uneasy process of making a foreign land feel like home.<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-indent: 36pt; text-align: justify; margin-top: 0pt; margin-bottom: 0pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">The story\u2019s closing reflections underscore the duality of the immigrant experience. Though the narrator has achieved the American dream\u2014a house, a family, citizenship\u2014he remains acutely aware of the miles he has traveled and the selves he has left behind. Mrs. Croft\u2019s death, the first he mourns in America, marks the end of his fragile early chapter in this new world, yet her legacy endures in his memory. Driving down Massachusetts Avenue years later, he points out her street to his son, a gesture that encapsulates the immigrant\u2019s perpetual negotiation between past and present. His son\u2019s astonishment at the cheap rent highlights the generational divide: the narrator\u2019s struggles are inconceivable to a child of privilege, just as the moon landing was unimaginable to Mrs. Croft. Ultimately, Lahiri\u2019s story suggests that belonging is not a fixed state but a gradual, often bittersweet, process of reconciliation. The narrator\u2019s journey\u2014from solitary boarder to husband, father, and citizen\u2014reveals the resilience required to build a life across continents, where home is not a place but a mosaic of memory, adaptation, and quiet triumph.<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; margin-left: 36pt; text-align: justify; margin-top: 0pt; margin-bottom: 0pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">\u201cThe first morning when I came into the kitchen, she had heated up the leftovers and set a plate with a spoonful of salt on its edge on the table, assuming I would eat rice for breakfast, as most Bengali husbands did. I told her cereal would do, and the next morning when I came into the kitchen, she had already poured the cornflakes into my bowl\u201d. (Lahiri, 201)<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-indent: 36pt; text-align: justify; margin-top: 0pt; margin-bottom: 0pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">This poignant moment in The Third and Final Continent perfectly illustrates the subtle yet profound cultural negotiations that define the immigrant experience. When Mala prepares a traditional Bengali breakfast of rice with salt, she instinctively follows the domestic patterns of her homeland, attempting to recreate familiar rhythms in this foreign space. Her gesture reveals both her deep-rooted cultural conditioning and her earnest desire to fulfill expected wifely duties. The narrator&#8217;s preference for cereal, however, immediately disrupts this expectation, exposing the quiet cultural chasm between them. His rejection of the rice isn&#8217;t merely about taste &#8211; it symbolizes his prior adaptation to American norms during his solitary existence before Mala&#8217;s arrival. What makes this exchange particularly revealing is Mala&#8217;s silent adjustment the next morning, where she serves cereal without comment. This wordless compromise encapsulates the unspoken negotiations that characterize immigrant relationships, where cultural identities must constantly adapt and evolve. The scene beautifully captures how diaspora reshapes even the most mundane domestic routines, turning something as simple as breakfast into a meaningful cultural negotiation. Through these small, everyday moments, Lahiri shows how immigrant identities are constantly being remade &#8211; not through grand gestures, but through countless minor adjustments that gradually transform both individuals and their relationship to each other and their new home. The progression from rice to cereal mirrors the larger arc of their marriage, moving from initial dislocation toward mutual understanding and, eventually, genuine connection.<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: justify; margin-top: 0pt; margin-bottom: 0pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Conclusion<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-indent: 36pt; text-align: justify; margin-top: 0pt; margin-bottom: 0pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Jhumpa Lahiri\u2019s The Third and Final Continent masterfully explores the immigrant experience through themes of dislocation, adaptation, and the quiet negotiation of identity. The narrator\u2019s journey\u2014from solitary boarder to husband and father\u2014reveals how belonging is not a fixed state but a gradual process shaped by small, everyday compromises. Through symbolic details like the shift from rice to cereal, Lahiri illustrates how cultural identity evolves in diaspora, where traditions are neither fully abandoned nor rigidly preserved, but carefully recalibrated. Ultimately, the story suggests that home is not found in geography, but in the fragile, resilient connections forged between people navigating the space between past and present, memory and reinvention.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-1663eda elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"1663eda\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-17472ad\" data-id=\"17472ad\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-9851f51 elementor-widget elementor-widget-heading\" data-id=\"9851f51\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h6 class=\"elementor-heading-title elementor-size-default\">Statements &amp; Declarations<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-752921d elementor-widget elementor-widget-text-editor\" data-id=\"752921d\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: justify; margin-top: 0pt; margin-bottom: 8pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Author\u2019s Contribution: Dr. Shivaji D. Sargar provided overall conceptual guidance, analytical framework restructuring, and academic supervision for the study. Geeta Kuchekar performed the textual interpretation of Jhumpa Lahiri\u2019s short stories, carried out the literature review on postcolonial diaspora theories, and drafted the primary manuscript. Both authors reviewed and approved the final text for publication.<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: justify; margin-top: 0pt; margin-bottom: 8pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Peer Review: This article has undergone a comprehensive double-blind peer-review process coordinated by the Editorial Board of <\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Edumania<\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"> to verify critical depth, theoretical relevance, and academic authenticity.<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: justify; margin-top: 0pt; margin-bottom: 8pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Competing Interests: The authors declare that they have no financial, institutional, or personal conflicts of interest that could influence the objectivity, execution, or presentation of this research.<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: justify; margin-top: 0pt; margin-bottom: 8pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Funding: This study was conducted independently using the research facilities of the University of Mumbai. No specific grant or external funding from commercial, public, or non-profit agencies was received.<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: justify; margin-top: 0pt; margin-bottom: 8pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Data Availability: This is a qualitative literary analysis based entirely on published textual fiction and theoretical secondary sources. All reference materials used have been properly cited within the bibliography.<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: justify; margin-top: 0pt; margin-bottom: 8pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Ethical Approval: The research adheres strictly to ethical guidelines concerning academic integrity and plagiarism. As a theoretical evaluation of literary fiction, it did not involve experiments on human subjects or animals.<\/span><\/p><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: justify; margin-top: 0pt; margin-bottom: 8pt;\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">License Statement: This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) License. Published by ICERT.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a28b3e7 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a28b3e7\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-7ac5849\" data-id=\"7ac5849\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3f94672 elementor-widget elementor-widget-heading\" data-id=\"3f94672\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h6 class=\"elementor-heading-title elementor-size-default\">References<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d870e5d elementor-widget elementor-widget-text-editor\" data-id=\"d870e5d\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<ol style=\"margin-top: 0; margin-bottom: 0; padding-inline-start: 48px;\"><li dir=\"ltr\" style=\"list-style-type: decimal; font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre;\" aria-level=\"1\"><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: justify; margin-top: 0pt; margin-bottom: 0pt;\" role=\"presentation\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Davidson, L., &amp; Vidhya, A. (2022). Transformation of identity in diaspora: A study of Jhumpa Lahiri&#8217;s <\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">The Namesake<\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"> and <\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">The Interpreter of Maladies<\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">. <\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Special Education<\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">, <\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">1<\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">(43).<\/span><\/p><\/li><li dir=\"ltr\" style=\"list-style-type: decimal; font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre;\" aria-level=\"1\"><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: justify; margin-top: 0pt; margin-bottom: 0pt;\" role=\"presentation\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Gupta, A. (2016). Loss of identity, clash of culture &amp; displacement in <\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Interpreter of Maladies<\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">. <\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">The Creative Launcher<\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">, <\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">1<\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">(4), 24\u201328.<\/span><\/p><\/li><li dir=\"ltr\" style=\"list-style-type: decimal; font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre;\" aria-level=\"1\"><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: justify; margin-top: 0pt; margin-bottom: 0pt;\" role=\"presentation\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Lahiri, J. (1999). <\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Interpreter of maladies: Stories<\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">. Houghton Mifflin Harcourt.<\/span><\/p><\/li><li dir=\"ltr\" style=\"list-style-type: decimal; font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre;\" aria-level=\"1\"><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: justify; margin-top: 0pt; margin-bottom: 0pt;\" role=\"presentation\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Madhavi, J. (2024). Cultural duality: Exploring identity and belonging in Jhumpa Lahiri\u2019s <\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Interpreter of Maladies<\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">. <\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">SP Publications<\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">, <\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">6<\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">(8).<\/span><\/p><\/li><li dir=\"ltr\" style=\"list-style-type: decimal; font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre;\" aria-level=\"1\"><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: justify; margin-top: 0pt; margin-bottom: 0pt;\" role=\"presentation\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Rahmatullah, M., Rafi, S. M. A., &amp; Mannan, M. Negotiating diasporic identities and female subjectivities: A critical intersectionality approach to Jhumpa Lahiri\u2019s \u201cInterpreter of Maladies\u201d.<\/span><\/p><\/li><li dir=\"ltr\" style=\"list-style-type: decimal; font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre;\" aria-level=\"1\"><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: justify; margin-top: 0pt; margin-bottom: 0pt;\" role=\"presentation\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Singh, J., &amp; Rani, K. (2023). Diaspora experience in fiction of Jhumpa Lahiri. <\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Diaspora<\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">.<\/span><\/p><\/li><li dir=\"ltr\" style=\"list-style-type: decimal; font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre;\" aria-level=\"1\"><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: justify; margin-top: 0pt; margin-bottom: 0pt;\" role=\"presentation\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Sevilla, J. E. (2019). Transnational spaces of identity recognition in Jhumpa Lahiri\u2019s <\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Interpreter of Maladies<\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">. <\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Journal of English Studies<\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">, <\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">17<\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">, 103\u2013125.<\/span><\/p><\/li><li dir=\"ltr\" style=\"list-style-type: decimal; font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre;\" aria-level=\"1\"><p dir=\"ltr\" style=\"line-height: 1.7999999999999998; text-align: justify; margin-top: 0pt; margin-bottom: 0pt;\" role=\"presentation\"><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Kumar, Y., &amp; Sushil, G. Cultural identity struggle in Jhumpa Lahiri\u2019s <\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">Interpreter of Maladies<\/span><span style=\"font-size: 12pt; font-family: Arial,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\">.<\/span><\/p><\/li><\/ol>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-d654984 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"d654984\" data-element_type=\"section\">\n\t\t\t\t\t\t<div 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