Absurdism and Meaninglessness in Samuel Beckett’s Waiting for Godot
Sharma, Geeta1 and Kumar, Ravindra2
1Research Scholar, Department of English, Chaudhary Charan Singh University, Meerut, Uttar Pradesh
2Professor, Department of English, Chaudhary Charan Singh University, Meerut, Uttar Pradesh
Abstract
An analysis of Samuel Beckett’s play’s absurd elements the current paper pertains to Waiting for Godot. The artistic qualities of this work, including its title, setting, structure, themes, characters, and actions/dialogues, are analyzed via an absurdist lens. Throughout the play, absurdity is depicted in the form of a life devoid of purpose and meaning, characterized by chaos, a passion for death, and emotional and spiritual barrenness. A concept in the philosophy of absurdism holds that the universe is wholly illogical and meaningless and that the individual’s quest for order leads to a confrontation with the universe itself. Among the most prominent examples of absurd literature is Waiting for Godot, where the people are unrecognizable, the scene is remote, and the conversation makes no common sense. Once Martin Esslin’s book ‘The Theatre of Absurd’ was published in 1961, the phrase ‘Absurd Drama’ or ‘Theatre of Absurd’ became a common expression. In the opinion of Albert Camus, a French philosopher, life is lived solely to exist in a world that is no further comprehensible due to the absence of a transcendent being capable of reconciling its incoherence. This concept is exemplified by “Samuel Beckett’s Waiting for Godot,” which Camus characterized as “Absurd.” With an emphasis on “Samuel Beckett’s Waiting for Godot,” we have attempted to comprehend the basic idea of ‘Absurdism’ in this paper. The conflict in the meanings of life and the struggles of the characters in the present paper is reflected in the inclusion of absurd elements including meaningless dialogues, repetition, desolation, dark humor, fantasy, indefinite time, a lack of a well-crafted plot, puppet-like characters, and a violation of tradition. This paper demonstrates the agony of human beings, their tedium with life, the futility of life, and the conflicts between body and mind, thereby making it impossible to identify which is right and wrong.
Keywords: Absurdity, Chaos, Death, Existentialism, Life, Meaninglessness, Suffering.
Impact Statement
Samuel Beckett’s Waiting for Godot has left a profound and lasting impact on literature, theatre, and philosophy by exemplifying the themes of absurdism and meaninglessness in modern existence. The play challenges traditional narrative structures and compels audiences to confront the futility of human expectations, the cyclical nature of time, and the uncertainty of purpose. Through its stark dialogues, repetitive actions, and ambiguous resolution, the play disrupts conventional notions of plot and character development, thereby revolutionizing modern drama.
The impact of Waiting for Godot lies in its ability to hold a mirror to the human condition: the perpetual search for meaning in a universe that offers no definitive answers. It has shaped existential and absurdist thought by illustrating the tension between the human desire for significance and the silence of the world. This existential confrontation has inspired generations of writers, dramatists, and philosophers to grapple with questions of freedom, despair, and resilience. Moreover, its influence extends beyond the realm of literature into psychology, politics, and cultural studies, where the play has been used as a metaphor for waiting, uncertainty, and the absurdity of human persistence.
In essence, Beckett’s work not only redefined theatre as a medium for existential inquiry but also fostered critical discourse on the nature of meaning itself. Waiting for Godot continues to resonate with contemporary audiences, reinforcing its enduring impact as a cornerstone of absurdist literature and a timeless reflection on the paradox of human existence.
About Author
Geeta Sharma, a research scholar from the department of English, Chaudhary Charan Singh University, Meerut, Uttar Pradesh, India
References
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Esslin, M. (1961). The theatre of the absurd. Methuen Publishing Limited.
Sartre, J. P. (1946). Existentialism is a humanism P. Mairet (Trans.)